"Stranglehold" by Ed Gorman (Minotaur, 2010)

Dev Conrad is that rarity among literary characters, a warm narrator whose inimitable voice quickly becomes as familiar as an old friend. And if you’ve read Ed Gorman’s first novel about Dev, Sleeping Dogs, then the reunion in Stranglehold is all the more joyous.

As the Stranglehold opens, political consultant Dev Conrad has been called away from his home base to intervene in the campaign of one of his company’s clients, Congresswoman Susan Cooper. She’s been acting out of character, disappearing mysteriously, but she refuses to tell anyone what is going. With her reelection on the line, it is up to Dev to get to the bottom of things.

Cooper’s campaign and personal life quickly begins to fall apart. First Dev follows Susan to a crummy motel room and discovers blood around the room, as well as the business card of a ruthless political consultant. Next, he finds himself being questioned for the murder of someone that might have been involved with Cooper’s rivals. And Natalie Cooper, Susan’s tyrannical mother, is very unimpressed with the skeletons that Dev is dragging out of the family closet.

Gorman is a humanist in the tradition of Margaret Millar. Both draw readers in with their strong, tightly-plotted mysteries. However, the real treasure of their books is in their ensemble of characters (even the minor characters are treated with the utmost respect and craft), and in the maturity and acuity of the writers’ voices. Dev’s patience and hardboiled insight embodies so much of what we’ve come to admire in Gorman’s own writing.

Dev wants to see the best in people, but he is wise and weary enough to see the worst, and to recognize that people are human and they make mistakes. But what makes him trustworthy is that he is even quicker to spot his own weaknesses and errors. This blend of idealism and realism is what makes Dev such an endearing persona – he is never looking down at those around him, and never looking but, but always looking them right in the eye. And when another character returns that look – now those are special moments. Many of them involve Gwen – naïve, well-meaning, and brave, and who was unwittingly drawn into the Cooper campaign chaos; and others involve Ben, Dev’s colleague, another fallen idealist with plenty of regrets about failing his own family, with whom Dev shares an unspoken bond.

Gorman doesn’t just write stories, he puts them in worlds in which many stories are colliding. The book you’re holding just happens to contain a couple. Here is an example: Dev spots a mother in a Toby Keith t-shirt, her husband in a NASCAR shirt, and a chubby child. Their clothes are ratty, and their car is in worse shape. There’s almost a hint of caricature in Dev’s observation – until he notices the husband’s limp, and the wife’s attempt to help him. “It was the sort of thing that could break your goddamned heart because it was so simple and loving and said so much about their years together. They were playing a shitty hand, one the dark Lovecraftina gods were probably still laughing about, but they were bound up and redeemed by their loyalty.”

In these politically divisive times, we need a hero like Dev Conrad. Someone who’s concern goes beyond party lines, and who can see beyond all the campaign and media hoopla. Heck, I’d vote for Dev, but I think he’s too smart to run. In the meantime, I eagerly await the next installment in Ed Gorman’s latest series.

As always, here are a few of my favorite quotes from the book. Gorman has some really wonderful turns of phrases, and shows a real love of language.

“Fog rolled down the streets on my way to foundation headquarters. Streetlights were dulled by ghosts and stoplights burned like evil eyes through the mist. A long stretch of fast-food places shone like a cheap carnival midway in the rolling clouds. And always there was the relentless cold rain, gutters and intersections filling up fast.”

“After my years in army intelligence, when I’d functioned pretty much as a detective, I’d thought about joining a police force somewhere. I’d spent three nights in a squad car riding around Chicago. The dangers I’d seen were tolerable; there’d been moments when they’d been exhilarating. But the heartbreak was what I couldn’t handle. The beaten wives and the forlorn children, the sad junkies, the prisons of poverty, the fear of people afraid to walk the streets of their own neighborhoods. I didn’t have the gut for it.”

“Then she started her awkward, belly-bumping slide out of the booth. I was thinking how good it would be when my own daughter was pregnant. I had so much to make up for. I wanted to do it right this time.”

“And no, it wasn’t the drinking; it was the fact that I spent so much time away from home working on campaigns. I wasn’t faithful and neither was she. She had a good excuse for it, I didn’t.”

Q.R. Markham on Spy Thrillers

Over at Mullholland Books, Q.R. Markham has a terrific essay entitled "The Cold War Hero." Markham's own spy thriller, An Enemy of War, will be released by Mullhollnd Books in Fall 2011, and I for one am eager to read it. In "The Cold War Hero," Markham perceptively charts the differences between the private detective and spy protagonists, and how they create different tones of suspense for the reader. "When the detective himself is threatened, his peril simply reinforces the general gravity. The secret agent, on the other hand, whether amateur or professional, becomes involved and therefore integrated into a world completely different from his own, and he will not be released until that world is made harmless, temporarily if not finally." Markahm's blog is also shaping up to be a great new home for spy thrillers, with insightful essays on the genre, and wonderful vintage covers of spy paperbacks of yesteryear. Operation Octopus, The Chic Chick Spy, The Dolly Dolly Spy? Yes, please!

Stories for Sunday: Seamans, Brazill, Russell

Stories for Sunday is back!

First off, if you haven't checked out Sandra Seamans' latest story over at A Twist of Noir, that should be your first stop. The story is called "In God's Own Time," and it is one of her best, as well as one of her darkest. The first paragraph hits you fast and hard and sends your head spinning and your gut turning. Things only get more harrowing from there, as it follows a woman just released from jail as she hitches a ride to her old home and the tragic memories she left behind so many years ago. The final twist is as brutal as it is remarkable. Don't expect any happy endings from this one.

"You know, I was seventeen and pregnant the afternoon my daddy died. Somebody put a shotgun to his head and blew his brains all over the Lazy Boy. Hell of a mess that was. I was told they had to toss that old chair out in the trash cause there just wasn’t no cleaning the blood and brains out of the fabric. Pity, it was a nice chair. Daddy’s favorite."

Also at A Twist of Noir is Paul D. Brazill, another master of the short form. "The Final Cut" originally came out of one of Patti Abbott's Flash Fiction Challenges and later was included at Radgepacket Online. It is a darkly funny tale of revenge about a man who finally gets even with his ex-wife who left him and became a movie star. Even if you've read it before, Bazill's deft control of the short story is worth revisiting. Lines like this are priceless: "Beside me, a fading French film star with a sandblasted face slurped his espresso with all the enthusiasm of an ex-con in a bordello."

And finally, the weekly punch over at Beat To a Pulp is Katherine A. Russell's "Icarus of the Cliffs," an intriguing and original story about a hang-gliding death that goes in pleasantly unexpected directions. The variety of voices and stories at Beat To a Pulp is one of their greatest assets, and I enjoy the risks they take.

That's it for now, but expect more Stories For Sunday in the future.

"Fogtown" by Andersen Gabrych and Brad Rader (Vertigo Crime, 2010)

Fogtown is Noir.

Noir to the core. Raw, bleak, brutal, and compelling as hell to read.

Frank Grissel is a self-loathing, slumming Private Eye named with enough personal baggage to drown himself in the gutter. His investigation into the disappearance of a young prostitute named Carmen leads him into the more unappealing aspects of San Francisco circa 1953. The local priest seems to be hiding something, and the sexy “sex psychologist” Dr. Grey has more invested in local prostitutes than just research. But to find the girl and solve the case, Grissel will have to plumb the worst parts of society and admit to a lot of things he’s been drowning in alcohol and running from his whole life.

Written by Andersen Gabrych with art by Brad Rader, Fogtown is marks another triumph for DC Comics’ Vertigo Crime series. It is also the grittiest of the bunch. Whereas some of the earlier books used elements of horror-fantasy (like Jason Starr and Mick Bertilorenzi’s The Chill), Gabrych and Rader are much more rooted in reality. Their style – from the snappy dialogue and hardboiled narration to the cinematic, chiaroscuro artwork – is deeply rooted in Noir tradition. Take a look at these quotes:

“In a flash, her Jade eyes tear me apart, hungrily look at each piece, and put me back together again.”

“You don’t care about that girl or her mother. No, you’re an over-the-hill drunk who only cares about killing the regret over every bad choice you’ve ever made.”

“I run out of instinct. And it hits me. I ain’t got nowhere to go. No one who’ll have me. I never done nothing right. My whole life. I’m just a pice of shit in this city full of shit. I wanna tear my skin off. Turn into somebody different. I gotta get outta this town.”

“I’m making a noose outta all the loose threads of this job. I’m a shit detective. They could’a got some Pinkerton dick to find Carmen. They didn’t want a dick. They wanted a patsy. I might be a lotta shameful things. But this dick ain’t nobody’s patsy.”

That last quote conjures up memories of Dashiell Hammett’s Sam Spade, and the cruel revelations at the end of The Maltese Falcon. Spade doesn’t play the patsy to anyone. Grissel would like to say the same, but unfortunately he can’t, because he did play the patsy. To a lot of people. Namely himself.

Grissel brings to mind an essay written by Dave White called "HEY... Slacker... Get a JOB!!!" for the Do Some Damage blog collective. I’m not sure if he had Fogtown in mind, but it fits in with the overall point of his essay: “It seems the traditional PI is fading and being replaced with another kind of PI. The slacker PI… Guys who really don't want to be PIs but need a way to pay the bills.” He draws a comparison with the traditional model of value-driven PI’s epitomized by Chandler’s Marlowe.

The idea of a disengaged Private Eye isn’t new – look at Jonathan Lattimer’s Karl Craven in Solomon’s Vineyard or even Bill Crane in The Dead Don’t Care – but White’s observation is astute and brings light to Grissel’s character. White says that, “I feel it adds to the suspense. Will the PI do what's right and solve the case? Or will things get so bad he'll just walk away.” As we are reminded throughout Fogtown, Grissel has run away many times before in the past. So, the question remains, will he run away again? Or will he own up to who he is and try to set things straight?

Facing the parts of ourselves we want to forget about. Learning to accept who we are. This, as much as any detective assignment, is the Noir’s protagonist’s challenge.

With literary shades of Woolrich and Spillane, as well as visual echoes of both Film Noir and early comics like The Spirit and Batman, Andersen Gabrych and Brad Rader have create a Noir aficionado’s delight with Fogtown.

Lou Boxer Interview on NoirCon 2010

NoirCon is only six weeks away! From November 4th-7th, Philadelphia will be drawing Noir aficionados from around the globe. Writers, fans, publishers, and scholars will gather to share their knowledge and passion for all things Noir. Pulp Serenade will be attending and reporting on the numerous panels and events, including the screening of Larry Withers' documentary, David Goodis: To a Pulp.

Registration is still open! To help celebrate the event, NoirCon's Lou Boxer was kind enough to answer a few questions for Pulp Serenade.

Pulp Serenade: How and when did NoirCon first begin?

Lou Boxer: NoirCon evolved from GoodisCon. Goodiscon took place in January 2007 which coincided with the 40th Anniversary of Goodis’s death (January 7th, 1940). The seminal conference dedicated to David Goodis and his fiercely, existential writings ushered the birth of NoirCon 2008 and NoirCon 2010. NoirCon is dedicated to the spirit of David Goodis and honoring those who carry on his style of writing – saluting the anti-hero and the everyman down on their luck.



PS: About many people do you expect to attend this year?

LB: The conference continues to grow from year to year. We expect on the order of 100 to 150 Noir fans this year from all over the country and the world.



PS: George Pelecanos is receiving the David L. Goodis Award. Could you describe the honor and say a few words about how he carries on the Goodis tradition?

LB: The David L. Goodis Award is given to that writer in recognition for his or her contribution to Noir Literature in the spirit of Philadelphia’s native son, David Loeb Goodis. Like the archetypal writing of David Goodis, Pelecanos pulls back the stained sheets of that part of society we are to quick to dismiss. He catalogues the torments, the struggles and the tribulations of the common man in a way that leaves you saying, “Hey, that guy is me or that guy could be me.” Pelecanos is the real deal.



PS: Charles Benoit is this year's Master of Ceremony and Joan Schenkar is this year’s Keynote Speaker. For those unfamiliar with their work, do you have any favorite books of theirs that you could recommend?

LB: Charles Benoit appeared on the scene in 2004 with Relative Danger (Poison Pen Press, nominated for an Edgar). Relative Danger is a fresh, brash adventure of an unemployed Doug Pearce from Pottsville, Pennsylvania. Given the job of solving the mysterious death of his uncle, Pearse takes on an incredibly rich and vibrant tour of Southeast Asia. In 2006, Benoit takes us to India in Out of Order. Murder, mystery and a damn good adventure is to be had. 2010 has taken Benoit into Young Adult market with his book entitled You (Harper Teen). You will not be disappointed by any of his books.

Benoit’s unusual charismatic and vivacious personality is infectious. Prepare to be engaged, challenged, and dazzled. You will not soon forget this one man show.

Joan Schenkar's The Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith (St. Martins Press) (finalist for Edgar Allan Poe Award, the Agatha Award, and the Publishing Triangle Award, and winner of the 2010 Lambda Award) will take you into to the mystery world of one of darkest female writers of the post-modern age. Not to be missed. The Talented Miss Highsmith must be savored slowly for Schenkar tells a tale like no other.

PS: Johnny Temple is the Recipient of the Jay and Deen Kogan Award for Excellence in Publishing. Could you say a few words about the award and some of Johnny's accomplishments with Akashic Books?

LB: The Jay and Deen Kogan Award for Excellence in Publishing is named after two individuals that epitomize the word Excellence. Jay and Deen Kogan brought theater to Philadelphia more than 50 years ago and with that an uncompromised commitment to provide only the finest and best theater in Philadelphia for its many patrons.

Johnny Temple and Akashic Books, like the Kogans, strives to provide the exceptional in Noir Literature by publishing some of the finest quality books today. Akashic is Sanskrit for “Hidden Knowledge” and Temple is the master for making that knowledge available for all to see and to read. Akashic Books' Noir Series encompasses Noir tales form all over the United States and the World. We are proud to have Philadelphia Noir and some of its contributors will be on hand to launch the book at NoirCon 2010. 



PS: And now for a few questions about yourself. When did you first get interested in Noir?

LB: My interest in Noir began when I was in fifth grade. I was immediately drawn to a book entitled The Secret of the Crooked Cat (#13 in The Alfred Hitchcock and the Three Investigators series). Once bitten, I could not stop myself from reading the masters. Hammett, Chandler, Poe, Woolrich, Thompson and the list goes on. I have been reading ever since and collecting books for the last 38 years.



PS: What book (or books) most perfectly embody Noir for you?

LB: Not an easy answer. My answer will be a shopping list that is far from complete and ever growing. Bruen, Out of the Gutter, Swierczynski, Faust, Starr, Guthrie, Tafoya, Stone, Busted Flush Books, Vachss, Kleinfeld, Laymon, Crime Factory, Connelly, Lehane, Abbott, Crumley, Barre, Rozan, Phillips (Gary), anything Dennis McMillan publishes, Phillips (Scott), Richard Sand, Hendricks, Jeff Cohen, Nisbet, Harrington, Hard Case Crime, Bourdain, Kent Anderson, Vonnegut, all of Goodis.

PS: David Goodis is central to NoirCon -- what is it about his work that makes it so everlasting?

LB: It is the purest, most unadulterated writing. It cuts right to the bone like a jagged knife. Goodis wrote for the sake of writing. He had a story to tell and he told it. He lived his life the way he wanted and answered to no one. Things were not always easy for him. His stories were extensions of his personal life. Goodis tells the day-to-day struggle of the guy down on his luck, trying to make it through one more day of hell, knowing the next day will be no better than the one before.

“After a while it gets so bad that you want to stop the whole business. You figure that there’s no use in trying to fight back. Things are set dead against you and the sooner you give up the better. It’s like a mile run. You’re back there in seventh place and there isn’t a chance in the world. The feet are burning, the lungs are bursting, and all you want to do is fall down and take a rest.” (Retreat from Oblivion by David Goodis at the tender age of 22!)

PS: What books are you reading right now?

LB: Windward Passage by Jim Nisbet; Boxer Beetle by Ned Beauman; You by Charles Benoit; Beatrice and Virgil by Yann Martel; Cutting for Stone by Abraham Verghese; Mountains Beyond Mountains by Tracy Kidder.



PS: Lastly, if someone hasn't made up their mind about attending NoirCon yet, any final words to help change their mind?

LB: Mid-term elections are shaping up to be a time of great confusion, darkness and unhappiness. Whether you are a member of the Tea Party or a free wheeling liberal democrat, NoirCon will be one conference that will be 100% bipartisan. Everyone is a winner at NoirCon 2010 no matter how the hanging chads are counted.

NoirCon is a symposium and it can be defined as:
1. A conference or meeting to discuss a particular subject (NOIR)
2. A collection of essays or papers on a particular subject by a number of contributors (NOIRCON Program)
3. A drinking party or convivial discussion, especially as held at the Society Hill Playhouse in Philadelphia, Pennsylvania over a weekend in November 2010, where all participants have the privilege to participate.
4. A chance to revel and reflect upon the memory of David Thompson, Noir Aficionado extraordinaire, the heart and soul of Murder By The Book, taken from this band of wayward souls way to soon. He was loved and he will not be forgotten.

“…years down the pike, the boast will be: ‘NoirCon 2010, I was there,” - Ken Bruen
The question is will you? Register today at www.NoirCon.info

James Reasoner Interview up at You Would Say That, Wouldn't You

Paul D. Brazill published an excerpt of an English-language translation of an interview with James Reasoner over at his blog, You Would Say That, Wouldn't You. The interview was originally published in Italian by Liberi di scrivere. In the interview, James talks about one of my favorite books, his first novel Texas Wind, which I reviewed here.

The full interview is available here to read in English.

Here is a sample of the interview:

Q: Could you tell us a little about your protagonist, Cody?
A: Cody (and I’m pretty sure that’s his last name, but to this day I don’t know his first name) is a smart, decent guy, and tough enough when he has to be. He was born and raised in Texas and loves the place, but he doesn’t necessarily like everything it’s come to be. He has a broad range of interests.

One of my favourite lines from the novel is when Janice looks at the books in Cody’s apartment and says, “That’s the first time I’ve seen Herman Hesse and Zane Grey on the same shelf.”

One thing I don’t recall if I’ve ever mentioned about him is that I came up with the name not because of Buffalo Bill Cody but rather Phil Cody, who was an early editor at BLACK MASK before Joseph T. Shaw became editor."

NoirCon 2010 -- Will you be there?

I just sent in my registration for NoirCon this year. It will be my first year, and I'm very excited. Anyone else going?

NOIRCON 2010 is almost 6 weeks away and registration is still open. Do not miss out on this opportunity to meet some of the best and the brightest writers out there today at NoirCon 2010. Do not miss out on history being made again!



Philadelphia will again host some of the most talented writers of the noir genre at NoirCon 2010.

Come meet these celebrated authors over November 4th, 5th, 6th and 7th at the Society Hill Playhouse at 507 South 8th Street. A partial list of the panelists includes:

George Pelecanos
Daniel Woodrell
Vicki Hendricks
William Heffernan
Laura Lippman
Joan Schenkar
Reed Farrel Coleman
Daniel Hoffman
Megan Abbott
Duane Swierczynski
William Lashner
Howard Rodman
S.J. Rozan
Robert Polito

NoirCon 2010 is a forum where all those who appreciate noir can come together to debate, plot, boast, or simply party with like minded individuals. It is a four day journey held in Philadelphia, the birthplace of David Goodis, one of the unsung greats of Noir literature. It offers everyone involved an opportunity to have a helluva good time looking into the bottomless, downward void that is Noir.

Each year NoirCon raises money for those in need. Our charity of choice this year is the AIDS FUND. We will having a Noir-Gay Bingo on Saturday, November 6th at 6 PM at the Doubletree Hotel in Philadelphia. What is Noir-Gay Bingo you ask? Check it out at http://aidsfundphilly.org/gaybingo/ or http://www.facebook.com/gaybingophilly?ref=ts

Questions? Thoughts? Please do not hesitate to contact us at noircon@gmail.com. Follow the evolution of NoirCon 2010 at www.noircon.info or on Facebook at NoirCon. Register on line at http://www.noircon.com/regform.pdf

Yours,
Lou Boxer and Deen Kogan

Two Stories by David Cranmer

David Cranmer, co-editor of Beat to Pulp, has two recent stories on the web (as well as one in print in the latest issue of Needle). Over at The Western Online is the latest in the on-going adventures of Marshall Cash Laramie, "Kid Eddie," published under the pseudonym Edward A. Grainger. In this tale, Cash is on a mission to escort wanted criminal Edward Morash, aka Kid Eddie, from Vermillion back to Cheyenne. The problem? Kid Eddie appears harmless as a fly, so sweet that even the Vermillion jailer has got the creeps. Cash has been warned that Kid Eddie is fast, but anything can happen on the trail, and the resourceful Cash is prepared for anything.

On top of a great ambush scene, "Kid Eddie" boasts strong conversations, especially between Cash and Eddie. From the contrast of their conversations and Eddie's physical behavior (particularly in the fight sequences) emerges a vivid, nuanced portrait of a complex villain, one whose depth belies the brevity of the story. And then there is Cash, the world weary Marshall who sees the world beyond the black-and-white moral dichotomy of those around him. I anxiously await a longer, novel-length Cash Laramie.

Meanwhile, Cranmer's "The Great Whydini" was the story of the month in August over at All Due Respect, a new online magazine. Tonally, Cranmer takes a different direction -- it is a darkly comic story that takes place behind-the-scenes as a magician practices a daring underwater escape routine while he is chained to cement blocks. The ending packs a devilish punch that it would be criminal to spoil. But just like "Kid Eddie," David's writing is concise and controlled, with potent kicks smartly paced throughout.

Check out his stories, then head over to Beat to a Pulp for this week's jab, "The Wanted Man" by Matthew Pizzolato.

In Memory of David Thompson

This post is in memory of David Thompson, of Busted Flush Press and Murder by the Book bookstore, who passed away suddenly earlier this week. Lou Boxer just announced a tribute to David at this year's Noircon in Philadelphia (Nov 4-7) and I wanted to share that information, which is posted below.

But first I also wanted to say a few brief words about David, who meant a great deal to the mystery community. He was very thoughtful and encouraging, and generous with not only his vast array of knowledge, but more importantly his passion for literature. He turned me on to so many great writers -- Tom Piccirilli, Vicki Hendricks, Reed Farrel Coleman, Daniel Woodrell, James Sallis, Dave Zeltserman, and many others that I still have yet to get to (like Ted Lewis). It was always a joy to receive an email, or even a Yahoo chat message, from him -- especially those chat messages when I had to work long night shifts at the video store. In this information age when technology can do so much to alienate us from one another, David seemed to be able to bring a community closer together. He was a great publisher, and a great friend.

You'll be missed, David.

-----------------------

Here is the information on the Noircon Tribute:

David Thompson : A Celebration of Life
Please join McKenna Jordan and the Murder by the Book family for a celebration of the life of David Thompson, who passed away suddenly and unexpectedly on Monday, September 13, 2010. David loved a good party, and we will honor him by celebrating the life of an extraordinary young man who touched the lives of many in his 21 years at the bookstore.

Place: The Briar Club, 2603 Timmons Lane, Houston, 77027

Date & Time: Sunday, September 26, 2010, 2 to 5 p.m.

There will be margaritas and Mexican Hors d'œuvres – great favorites of David’s -- along with other drinks. No RSVPs are necessary.

Many have asked about tributes to David’s memory. Alafair Burke has set up a fund for those who would like to make a donation in David’s name. The charity will be determined later. For those wishing to contribute, here are the details:

Checks to the order of "In Memory of David Thompson" (NOT simply David Thompson)

Mail for deposit to:
7 E. 14th St. #1206
New York, NY 10003

For those who would like to make a direct payment please contact alafair@alafairburke.com for account information.

"Prairie Raiders" by Harry Whittington (Ace, 1963)

One of the hallmarks of a Harry Whittington book is a protagonist driven by an all-consuming obsession, a mission that rises above morality, a cause that is more important that their lives. It is characteristic of both his Crime novels as well as his Westerns. In To Find Cora, Joe Byars hunts for his missing wife and eventually finds her in the clutches of another man as fanatical and as himself. In Shadow at Noon, Jeff Clane wasn’t supposed to survive the set-up duel, but he did, and found himself in more trouble than ever—only his thirst for vengeance keeps him going. And men, money and murder can’t satiate Bernice Hopper’s desire for happiness in Fires that Destroy, a title that is the perfect metaphor for many of Whittington’s characters and their desperate pursuits.

Clay Webb belongs to this same lineage of tormented, relentless protagonists. Prairie Raiders was originally published in 1963 as an Ace Double (along with Drygulch Town). The story is about a Marshall who was ready to hang up his gun belt for good and settle down with Mary Amerson. But on their wedding day—which was also his retirement day—one of the men Webb put behind bars, Les Patton, showed up looking to take back those five years he lost. Patton challenged Webb to a duel, but it wasn’t Webb who took the fatal bullet but Mary.

With all his dreams of serenity shattered, Clay Webb picks up his guns once more and takes to the range in search of revenge, in search of Les Patton. Along the way he is mistaken for a cattle rustler and captured by the rancher Shaffner and his possee who are on a hunt of their own. Mel Terrell, a member of the posse, wants to hang Webb. In order to save his own neck, Webb will have to prove to Shaffner and Terrell that he is innocent, and help find the real rustlers, all the while Les Patton’s trail grows colder and more distant everyday.

A lean 103 pages, Prairie Raiders bolts along with the same force and intensity as Clay Webb. Whittington’s prose is fast and hard, the Western action stirring, and with a strong sense of psychology and character (two of the author’s strongest suits). There’s not a moment or a word wasted in this book. Chalk up another winner to the prolific writing machine that was Harry Whittington.

Here are two of my favorite paragraphs from the book that best capture Whittington’s style:

“He couldn’t talk about the pain and agony that sent him riding with a badly-healed bullet wound in him looking for a man named Les Patton, but inside it was bright-clear like the blaze of the noon sun, burning out his guts, drying his lips, killing him with thirst. Thirst for something that was dead—dead and forever gone, and nothing could bring it back on earth.

“A few months ago he’d been a lawdog, and people respected him, and some men feared him. But inside he was troubled by something he could not put in words. A lawman had to believe he was right, had to believe in his right to make quick judgments, quick draws, and mete out quick death. And he had lost this belief…”

Other Harry Whittington-related posts on Pulp Serenade:

-Interview with David Laurence Wilson

-"Mourn the Hangman" by Harry Whittington (Graphic, 1952)

-Harry Whittington on Words and Writing

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More of Friday's Forgotten Books can be found on Patti Abbott's blog.

Making the Rounds: Short Stories

Some of Pulp Serenade's favorite writers have been very busy lately. Check out what they've been up to.

--An excerpt from Patti Abbott's "Ghostscapes," soon to be published in BEAT to a PULP: Round One, was posted over at David Cranmer's blog, The Education of a Pulp Writer. Here's just a sample of what is to come. For the full excerpt, and more information about the anthology, click the links.
Helen eventually settled on the 31st of July as the date of her death. It was difficult to be certain because for days, perhaps as much as a week, she wandered around the cottage without any glimmer of what had befallen her...
--Jason Duke's long awaited Pheonix Nightlife has finally hit the web. Parts one and two have been posted at CrimeWAV. Here is the trailer.


--Paul D. Brazill's upcoming story, "Guns of Brixton," will not only appear in the next issue of Crime Factory, but will also be anthologized in Maxim Jakubowski's The Mammoth Book of Best British Mysteries. Read all about it at Paul's blog.

--Beat to a Pulp is back again this week with another hell of a story. This week's punch is "The Little Boy Inside" by Glenn Gray.

"Who Was that Lady? Craig Rice: The Queen of Screwball Mystery" by Jeffrey Marks (Delphi, 2001)

Readers generally only know one side to Craig Rice. She was the author of a beloved series of comedic crime capers starring lawyer John J. Malone, heiress Helena Brand, and press agent Jake Justus. As Jeffrey Marks points out in his illuminating and compelling biography, Who Was that Lady? Craig Rice: The Queen of Screwball Mystery, there was a great deal of pain and suffering behind every laugh, bruises behind every wisecrack, and a lifetime of failed relationships that inspired the close bond between her memorable fictional sleuths. Rice’s life is a paradox as complex as any of her plots: she was talented but tormented; loved and reviled; and strong-willed in some ways but weak in so many more. She was the living embodiment of Edna St. Vincent Millay’s poem, “My candle burns at both ends; It will not last the night; But ah, my foes, and ah, my friends; It gives a lovely light!” For Rice, the light was short lived, and failure came as quickly as success and lasted twice as long.

The writer that would become Craig Rice was born Georgiana Craig, the daughter of two artist. Shortly after her birth, the parents would abandon their child to return to Europe to paint, leaving Georgiana to be raised by her aunt and uncle, the Rices. They would eventually adopt her, and Georgiana would take their name as her own. Jeffrey Marks locates this as the central conflict in Craig Rice’s life and work: most of her novels deal with orphans or those who have been abandoned in one way or another, while in her own life Rice would cling to mentally and physically abusive men out of fear of being alone. As Marks points out, Rice would wind up repeating her own mother’s decisions and leave her children with nannies and relatives. Why she would do that, after being so scarred by the same decisions, is still up for speculation.

Leaving college after only one year, Rice became a free-spirited Bohemian, making the rounds of the big city, attending lots of parties, and becoming a crime reporter. She made a living as a journalist during the Great Depression, and turned to writing novels by the end of the 1930s, beginning with 8 Faces at 3 in 1939, which introduced the world to Malone, Brand and Justus. Their alcohol-infused adventures in and around Chicago continued in a slew of novels written over a short period time. In her first five years as a novelist, Rice would publish an astonishing 16 novels (7 of which were about Malone and company).

Alcoholism, depression, and a series of bad marriages would slowly bring her writing to a halt, ruin her ties to the industry, and destroy her health. Her many husbands were all writers, none of whom were as talent or successful as Rice. Jeffrey Marks points out that one of them, Lenny Lipton, was especially poisonous: after deriding popular fiction (in spite of the fact that his “literature” never sold and got horrible reviews), he would eventually sue her and claim partial ownership of all her writing in order to continue living off Rice’s success after they had broken up. He later tried to join the Beat movement, and was unsuccessful at that, as well.

Marks also makes a strong case that Rice was an unfortunate victim of her time. Her alcoholism and time spent in hospitals became vicious news stories, and even her cover story in Time Magazine is unnecessarily harsh, influenced by the stricter morals of the day. As Rice points out, however, many of Rice’s peers—the male writers—were also alcoholics but did not suffer the stigma that she did. Also, Rice’s bipolar conditions were unable to be treated at hospitals at the time, leaving her few options except to fall back into the same cycle of depression and drinking time and again. That type of living took its toll on Rice, and it eventually killed her when she fell down the stairs, alone in her house. She was 49 years old.

Who Was that Lady? Craig Rice: The Queen of Screwball Mystery could be called a critical bio-bibliography. Jeffrey Marks writes about Craig Rice with great sympathy, but always with an insightful, critical eye. Marks proves to be as perceptive a critic as he is a biographer and researcher. He locates the autobiographical strands of her work, smartly connecting them to her own life. Just as important, he also places her work in context to the mystery field at the time, as well as compares her books to each other, tracing their development over the years as her quality rose rapidly in the early 1940s, then fell as a result of her personal struggles, only to rise again shortly before her untimely death. Concise synopses and succinct reviews of all her novels (and many of her short stories) provides an indispensable guide for navigating the ups-and-downs of Craig Rice’s career.

One of the most important and successful mystery writers of her day, Rice is sadly forgotten today. While many of her books were reprinted in the late 1980s and early 1990s by IPL, only one novel and one collection of stories is in print today. Rue Morgue Press has released Home Sweet Homicide (which Marks calls her greatest book) and Crippen and Landau have released a collection of the Malone stories, Murder, Mystery and Malone, which was edited by Marks. We can only hope that her innovative, inimitable, and undeniably delightful novels see the light of day again sometime soon. In the meantime, we have Marks’ wonderful biography, an essential for fans of Rice’s work, and of great interest for anyone interested in the history of mystery and crime fiction.

Other Pulp Serenade posts on Craig Rice:

"Craig Rice" (Time Magazine, January 28, 1946)

"Trial by Fury" by Craig Rice (International Polygonics Ltd., 1991)

Craig Rice on Words and Writing

"The Long Saturday Night" by Charles Williams (Gold Medal, 1962)

Charles Williams’ The Long Saturday Night was published by Gold Medal in 1962. It would turn out to be his last for the publisher. It’s about John D. Warren, a real estate broker from Carthage, Alabama. When he arrives early to visit to the private duck-hunting club early on Friday morning, he doesn’t realize what the weekend holds in store for him. First, he’s accused of murdering Dan Roberts, one of his tenants and fellow members of the duck-hunting club—the only member who was also out that morning. Next, a mysterious phone call suggests that his wife, Frances, was stepping out with Roberts as well as another man. Then there is the matter of several thousand dollars that Frances took with her to New Orleans which have vanished without a trace. And then there’s her dead body, lying in Warren’s home.

On the run from the cops, it is up to Warren and his resourceful secretary, Barbara Ryan, to piece together the connection between Frances and Dan Roberts, as well as identify the mysterious caller and catch the real killer—all on one long, frantic, and dangerous Saturday night.

Perhaps the “wrong man” and “amateur detective” scenarios sound familiar enough, but it is proof of Williams’ skill that he can seemingly reinvent these tropes and breathe new, panic-stricken life into them. Using a remarkable first-person narration, Williams burrows deep into his main character, John D. Warren, and brings his growing paranoia to life. The first-rate storytelling is both enthralling and magnetic, and it has the fevered pacing of a never-ending nightmare.

Francois Truffaut turned The Long Saturday Night into a movie called Confidentially Yours! in 1983 (in France it was called Vivement Dimache!, literally “Finally Sunday!”). (Here is my review of the movie.) The film turned out to be Truffaut’s last. Unfortunately, it is not one of his better movies. The adaptation seemingly sticks close to the outline of the plot, but the tonal changes are totally out of step with Williams’ paranoid vision. Truffaut tries to add a comedic, screwball feeling akin to The Thin Man, and tosses in plenty of unnecessary and distracting movie references (especially to Hitchcock). The movie doesn’t work because, for one thing, the actors (Jean-Louis Trintignant and Fanny Ardant) don’t have the same chemistry as William Powell and Myrna Loy in The Thin Man movies. Truffaut also is unable to recreate the swift pace of Williams novel, nor is Trintignant able to convey the increasing anxiety of Warren’s character. Ultimately, the movie just wasn’t that thrilling or funny, a bad sign for a movie that tries to be a comedic thriller.

While the book is currently out-of-print, used copies are still floating around. Fans of early paperback crime fiction don’t want to miss this one. For more information on Williams, check out Bill Crider’s excellent essay, “The Gold Medal Corner: Charles Williams” over at Mystery*File where he calls Williams “one of the people who belongs in the Gold Medal Pantheon.” August West, over at Vintage Hardboiled Reads, also reviewed the book: “The Long Saturday Night might not be the author's most well-known novel, but it's one that should not be overlooked.”

As always, a couple of quotes from the book.

“I kept opening and closing my mouth and swallowing to hold back the oily ground-swell of nausea running up into my throat, and pressing my face into the bedspread as though I were convinced that if I could close my eyes tightly enough the picture would go away.”

“The bed rocked as if I were still driving, and the instant I closed by eyes the pulpy and battered mass of her face was burned into the backs of the lids down to the last projecting shard of bone, and I sat up shaking and sick, my mouth locked against the outcry welling up inside me.”

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More of Friday's Forgotten Books are available at Patti Abbott's blog.

Craig Rice on Words and Writing

"When [Craig] Rice did finally sit down to write a book, it was a sight to see. Her writing habits were legendary. She wrote without an outline, or character sketches, or any good idea of where she was going, simply typing away until she'd completed a novel. The manic sessions would sometimes last for days. These focused writing sessions provided the first indication that perhaps Craig Rice didn't behave like other writers – she was driven to complete a work in a few sittings. No one would see her until she emerged with a finished book." -- Jeffrey Marks, from Who Was That Lady? Craig Rice: The Queen of Screwball Mystery

"Draw: The Greatest Gunfights of the American West" by James Reasoner (Berkley, 2003)

What happens when you combine rip-roarin' Western action with legendary true stories and one of best working writers of the genre? James Reasoner's Draw: The Greatest Gunfights of the American West. This exciting, non-fiction book looks at the men (and some women) behind the guns that blazed trails across America. Cowboys, bandits, sheriffs, bank robbers, marshals, horse thieves, card players, posses, gangs, and even a little boy suffering from consumption--they all carried guns, and they all had to use them, sometimes in the name of the law, sometimes in the name of vengeance, and sometimes in the name of violence. Behind each bullet is a story, and Reasoner gets to the heart of each and every one.

What I most appreciated about the book is Reasoner's approach to the material. The past isn't chiseled in stone like a cold tombstone, but lives and breathes. He begins each chapter with a striking scene, a cliffhanger that introduces us to the character and the defining moment in their lives--and often it is their last moment, as well. From there Reasoner takes us back, giving us a concise but comprehensive look at all the characters and the events leading up to the climactic showdown.

A humanist historian, Reasoner is as interested in a character's psychology and emotions as much as his actions. And because he can find a little sympathy for even the most ruthless gunslinger, the characters come off as real people instead of historical documents, and even the most timeworn tales seem fresh again. He gives a new perspective on the Earp clan by focusing on the forgotten brother, Warren, who was the only one not present for that historic battle in Tombstone, and who lived his life in the shadows of his brothers' legacies. And even Bob Ford (the man who shot Jesse James) and Pat Garret (the man who shot Billy the Kid) are given sympathy, as Reasoner tries to understand their disappointment of never eclipsing the notorious men they killed.

Reasoner is smart to realize that history shouldn't always be written by the victors. He not only tells the story from the viewpoints of all involved, but also respects the unresolved mysteries and speculations, those wondrous questions that linger on more than a hundred years later. Some of my favorite moments involve those characters who made their mark and then disappeared into history, like the young, consumptive boy Riley who, after seeing his gun-toting idol shot down, surprised the whole town of Wichita by doing some fancy shooting of his own. After avenging his fallen friend, the little boy vanished without a trace. History lost track of him, and his fate remains a mystery to this day.

Beneath the surface of Draw, Reasoner is doing more than just telling the stories of famous gunfighters. Through these stories, he also chronicles the larger history of the West, from the initial migration, to the establishing of of industry, towns, and law and order. The book ends, fittingly, with the settling and taming of the West, and the end of a spectacular, bloody, and exciting era of gunfighters.

The book is still in print from Berkley. Reasoner also keeps a blog called Rough Edges. Previously on Pulp Serenade I interviewed Reasoner about his book Hunt at the Well of Eternity, and I also reviewed his books Texas Wind and Old Times' Sake.

Here are a couple of my favorite quotes from the book:

"The gambler from the east was fast, all right, but his aim was wild, wild as hell, and his speed hadn't bought him a thing except a few ounces of lead."

"They were young, in their twenties, but hardly children. In fact, their eyes were older than their years. They were the eyes of men who had been both the hunters--and the hunted."

"Test Tube Baby" by Sam Fuller (1936)

Test Tube Baby is the second novel from Samuel Fuller (here credited as “Sam Fuller”). Published in 1936 by Godwin, Publishers, it is among...